Gallery MOMO

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Dillon Marsh uses his work to creatively raise awareness surrounding unique topics that are environmentally related. In his series, For What It’s Worth he shows the Blue Mine in Springbok which began operation in 1852. By 2007 the mine had been stripped of its copper. Dillon uses photography and digital art to create a physical portrayal of the stripped amount natural resource.

Dillon Marsh
For What It's Worth
2014

#photography#digitalart#digitalmedia#gallery

Dillon Marsh uses his work to creatively raise awareness surround Read More

Andrew Tshabangu's use of black and white photography in his practice has played a significant role in redefining the visual landscape of South Africa . His work draws our attention to what he calls the quieter things of society, the idiosyncrasies of regular people, their transactions, movements, and occupancies, as seen his collection Bridges.

Andrew Tshabangu
Shembe Church Elders
2008

#photography#blackandwhite#art#gallery#gallerymomo

Andrew Tshabangu's use of black and white photography in his prac Read More

Andrew Tshabangu Paramount - Salt Series Archival Print, 2006

Ominous and surreal, these photographs concretise the realities of climate change, realities which are often rendered elusive by statistics and discourse. Collaging this colossal loss against the everyday, Marsh draws our attention to the dramatic climate changes that continue unabated while we go about our lives. Snapshots of polluted rivers, trash-edged streets, and demolished buildings are delocalised, becoming synecdoches for ecological crises at large. This exhibition also speaks to how climate change affects the already marginalised disproportionately, rendering poor communities vulnerable to loss of land, capital, and resources as the world becomes evermore uninhabitable.

Dillon Marsh, 2019
THE AVERAGE VOLUME OF ICE LOST

Ominous and surreal, these photographs concretise the realities o Read More

“Andrew Tshabangu’s photographic practice is a convergence of numerous manifestations of epistemologies, histories, cultures, religions and experiences, which are not only interrelated, but also interact to form a supernatural mesh of forms and ideas and practices. Consciously or unconsciously, Tshabangu explores concepts of witchery, and presents them beyond the cliched connotations and biases that witchery or supernatural practices at large have come to be associated with. This is a shift in conceptual, functional and practical paradigms - the images reveal the complexities of the supernatural as a conglomeration of conundrumms.” - @bonaventurendikung

“Andrew Tshabangu’s photographic practice is a convergence of Read More