Haystack School

Haystack School

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38.5k Total Audience
1.41% Engagement Rate

Haystack School

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Haystack School is one of the top influencer with 38521 audience and 1.41% engagement rate on Instagram. Check out the full profile and start to collaborate.
Audience
38.5k
Engagement Rate
1.41%
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Our June 2021 online programs are open for registration!⁠ ⁠ Thanks to the generosity of our donors, all of our 2021 online programs are free and open to the public. Haystack is committed to equity through our digital platforms, and each of our online programs will feature closed captioning, with the option of letting us know additional accommodations that might be needed at the time of registration.⁠ ⁠ June Presenters:⁠ Vivian Beer⁠ (@vivian_beer) Annet Couwenberg⁠ (@annetcouwenberg) Tanya Crane⁠ (@tmcrane613) Deborah Czeresko⁠ (@dczeey) Lauren Fensterstock⁠ (@laurenfensterstock) Erin Furimsky⁠ (@erinfurimsky) Matthew Hebert⁠ (@eleetwarez) Matthew Hinçman⁠ Lissa Hunter (@lissa.hunter.art) Kemi Ilesanmi⁠ Mike Lagg⁠ (@mikelagg) Denise Markonish⁠ Márçia Minter⁠ (@indigoartsalliance) Dr. Marta Morena Vega ⁠ Jovencio de la Paz⁠ (@jovenciodelapaz) George Sawyer⁠ (@sawyer_made) Jenni Sorkin⁠ (@jennisorkin) Toccarra Thomas⁠ (@theytookallthebestusernames) Demitra Thomloudis⁠ (@demidemidotnet) Paula Wilson⁠ (@paulalights) ⁠ Follow the link in our bio to view the schedule of programs and register.⁠ ⁠ --⁠ ⁠ Image: Big Pimpin' by Tanya Crane (2014).Gold plated brass, 24 kt. gold, copper, enamel. Photo by Jim Escalante.⁠ ⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #online #onlineprogram #onlineworkshop #haystackonline2021 #deerisle #downeast #maine

Our June 2021 online programs are open for registration!⁠ ⁠ T Read More

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Next week on Thursday, May 13 at 7:30pm join Myron M. Beasley for a Craft History & Theory presentation, “Making Dinner: Food, Performance, Craft”.⁠⁠ ⁠⁠ Through the lens of performance, Myron Beasley interrogates cookery as a craft and its revelations of telling a story of things and places. He will showcase two performances: “What Androscoggin County Eats” (A history of textile making in Maine) and “RePast Malaga” (The story of the forced removal of a mixed-raced community of makers and doers).⁠⁠ ⁠⁠ Haystack’s 2021 online programs are being presented as free and open to the public.⁠⁠ ⁠⁠ Follow the link in our bio to register.⁠⁠ ⁠⁠ --⁠⁠ ⁠⁠ Images: ⁠⁠ 1) Myron M. Beasley, image by Jill Brady. Photo cropped for platform.⁠⁠ 2) RePast Malaga Program, image by Jop Blom. Photo cropped for platform.⁠⁠ ⁠⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #online #onlineprogram #webinar #freewebinar #onlineworkshop #haystackonline2021 #deerisle #downeast #maine
Next week on Thursday, May 13 at 7:30pm join Myron M. Beasley for a Craft History & Theory presentation, “Making Dinner: Food, Performance, Craft”.⁠⁠ ⁠⁠ Through the lens of performance, Myron Beasley interrogates cookery as a craft and its revelations of telling a story of things and places. He will showcase two performances: “What Androscoggin County Eats” (A history of textile making in Maine) and “RePast Malaga” (The story of the forced removal of a mixed-raced community of makers and doers).⁠⁠ ⁠⁠ Haystack’s 2021 online programs are being presented as free and open to the public.⁠⁠ ⁠⁠ Follow the link in our bio to register.⁠⁠ ⁠⁠ --⁠⁠ ⁠⁠ Images: ⁠⁠ 1) Myron M. Beasley, image by Jill Brady. Photo cropped for platform.⁠⁠ 2) RePast Malaga Program, image by Jop Blom. Photo cropped for platform.⁠⁠ ⁠⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #online #onlineprogram #webinar #freewebinar #onlineworkshop #haystackonline2021 #deerisle #downeast #maine

Next week on Thursday, May 13 at 7:30pm join Myron M. Beasley for Read More

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Next week on Wednesday, May 12 at 7:30pm - join Victoria Ahmadizadeh Melendez (@internet___angel), Kathleen Kennedy (@kdangerk), and Marissa Saneholtz (@saneholtzm), they will each give a short talk on their work, showing images and providing a window into their creative process and the ideas surrounding their work. We look forward to hearing from you as well and the evening will conclude with a conversation and questions from the audience. Closed captioning will be provided.⁠⁠ ⁠⁠ Haystack’s 2021 online programs are being presented as free and open to the public.⁠⁠ ⁠⁠ Follow the link in our bio to register.⁠⁠ ⁠⁠ --⁠⁠ ⁠⁠ Images:⁠⁠ 1) “The traditions were hers to change.” by Marissa Saneholtz (2017). Copper, vitreous enamel, sterling silver, pearls, silk, stainless steel wire, enameling, fabrication, decals. Photo by Lucy Clark.⁠⁠ 2) “searing circuit” by Victoria Ahmadizadeh Melendez (2019). Glass, argon glass, mercury, 30
Next week on Wednesday, May 12 at 7:30pm - join Victoria Ahmadizadeh Melendez (@internet___angel), Kathleen Kennedy (@kdangerk), and Marissa Saneholtz (@saneholtzm), they will each give a short talk on their work, showing images and providing a window into their creative process and the ideas surrounding their work. We look forward to hearing from you as well and the evening will conclude with a conversation and questions from the audience. Closed captioning will be provided.⁠⁠ ⁠⁠ Haystack’s 2021 online programs are being presented as free and open to the public.⁠⁠ ⁠⁠ Follow the link in our bio to register.⁠⁠ ⁠⁠ --⁠⁠ ⁠⁠ Images:⁠⁠ 1) “The traditions were hers to change.” by Marissa Saneholtz (2017). Copper, vitreous enamel, sterling silver, pearls, silk, stainless steel wire, enameling, fabrication, decals. Photo by Lucy Clark.⁠⁠ 2) “searing circuit” by Victoria Ahmadizadeh Melendez (2019). Glass, argon glass, mercury, 30
Next week on Wednesday, May 12 at 7:30pm - join Victoria Ahmadizadeh Melendez (@internet___angel), Kathleen Kennedy (@kdangerk), and Marissa Saneholtz (@saneholtzm), they will each give a short talk on their work, showing images and providing a window into their creative process and the ideas surrounding their work. We look forward to hearing from you as well and the evening will conclude with a conversation and questions from the audience. Closed captioning will be provided.⁠⁠ ⁠⁠ Haystack’s 2021 online programs are being presented as free and open to the public.⁠⁠ ⁠⁠ Follow the link in our bio to register.⁠⁠ ⁠⁠ --⁠⁠ ⁠⁠ Images:⁠⁠ 1) “The traditions were hers to change.” by Marissa Saneholtz (2017). Copper, vitreous enamel, sterling silver, pearls, silk, stainless steel wire, enameling, fabrication, decals. Photo by Lucy Clark.⁠⁠ 2) “searing circuit” by Victoria Ahmadizadeh Melendez (2019). Glass, argon glass, mercury, 30

Next week on Wednesday, May 12 at 7:30pm - join Victoria Ahmadiza Read More

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Did you know we’re offering online Writing Workshops this year? Designed for individuals from a variety of backgrounds and experiences, these workshops take place over a period of three meetings, and focus on exploring the written word from a variety of perspectives - from poetry and narrative to expanded ways of writing about craft. ⁠ ⁠ Writing Workshop Faculty:⁠ melissa christine goodrum (@mgoodrum2016)⁠ Stuart Kestenbaum (@stukestenbaum)⁠ Helen Lee (@hotpinknoise)⁠ Anna Moschovakis⁠ Bill Roorbach (@broorbach)⁠ David Schnuckel (@davidschnuckel)⁠ Matthew Shenoda⁠ ⁠ Space in these sessions are limited and open only by application. Application review begins on Monday, May 10; notifications will be made the week of May 17. As part of our commitment to broadening access to the school, those selected attend these online workshops free of charge. ⁠ ⁠ Follow the link in our bio to learn more about these programs or to apply!⁠ ⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #writing #writingworkshop #online #onlineprogram #onlineworkshop #haystackonline2021 #deerisle #downeast #maine

Did you know we’re offering online Writing Workshops this year? Read More

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Here are the final two of our online Mentorship & Collaboration workshops! For the full list of the mentorship programs scroll back through our feed or visit our website to learn more. Application review begins on Monday, May 10; notifications will be made the week of May 17.⁠⁠ ⁠⁠ Twenty Field-Trips, with Lenka Clayton and Phillip Andrew Lewis⁠⁠ Dates: May 30, June 13, June 27, July 11, July 25, and August 8 from 7:30-8:30pm EST⁠⁠ ⁠⁠ “How do artists develop ideas out of the very places and things we are curious about? Over the course of six sessions we will collectively and individually undertake a series of self-defined field trips taking place all over the country and maybe the globe. Each participant will select a place they would like to explore and research examples of which might include a bubble gum factory, the end of your garden, a plumbing supply warehouse, etc... This workshop is designed to give full permission and accountability to explore our own curiosities, purely for the possibility of where they could lead us. We will also explore systems for pivoting these experiences into studio ideation, ways forward, and the dissemination of work and ideas. Participants may walk away with new directions for bodies of work, proposals for grants and opportunities, and new communal crowd-sourced first-hand research experience.”⁠⁠ ⁠⁠ The Cultural Economy We Want, with Caroline Woolard, Nati Linares, and Francisco Pérez⁠⁠ Dates: August 17, August 31, September 14, September 28, October 12, and October 26 from 7:30-8:30pm EST.⁠⁠ ⁠⁠ “Imagine no bosses, no landlords, and no banks. Join a cohort of cultural innovators who are building Solidarity Economy networks and infrastructure in their hyperlocal contexts to learn about the history, law, and craft of economic justice rooted in cultural traditions.”⁠⁠ ⁠⁠ Follow the link in our bio for more information and to apply!⁠⁠ ⁠⁠ -⁠-⁠⁠ ⁠⁠ Images:⁠⁠ 1) “Mixed Signal Flag” (2018) by Lenka Clayton & Phillip Andrew Lewis. ⁠⁠ 2) “OurGoods.org Asset Mapping Card (2008). Designed by Louise Ma and Rich Watts with Caroline Woolard, Jen Abrams, and Carl Tashian for the barter network.
Here are the final two of our online Mentorship & Collaboration workshops! For the full list of the mentorship programs scroll back through our feed or visit our website to learn more. Application review begins on Monday, May 10; notifications will be made the week of May 17.⁠⁠ ⁠⁠ Twenty Field-Trips, with Lenka Clayton and Phillip Andrew Lewis⁠⁠ Dates: May 30, June 13, June 27, July 11, July 25, and August 8 from 7:30-8:30pm EST⁠⁠ ⁠⁠ “How do artists develop ideas out of the very places and things we are curious about? Over the course of six sessions we will collectively and individually undertake a series of self-defined field trips taking place all over the country and maybe the globe. Each participant will select a place they would like to explore and research examples of which might include a bubble gum factory, the end of your garden, a plumbing supply warehouse, etc... This workshop is designed to give full permission and accountability to explore our own curiosities, purely for the possibility of where they could lead us. We will also explore systems for pivoting these experiences into studio ideation, ways forward, and the dissemination of work and ideas. Participants may walk away with new directions for bodies of work, proposals for grants and opportunities, and new communal crowd-sourced first-hand research experience.”⁠⁠ ⁠⁠ The Cultural Economy We Want, with Caroline Woolard, Nati Linares, and Francisco Pérez⁠⁠ Dates: August 17, August 31, September 14, September 28, October 12, and October 26 from 7:30-8:30pm EST.⁠⁠ ⁠⁠ “Imagine no bosses, no landlords, and no banks. Join a cohort of cultural innovators who are building Solidarity Economy networks and infrastructure in their hyperlocal contexts to learn about the history, law, and craft of economic justice rooted in cultural traditions.”⁠⁠ ⁠⁠ Follow the link in our bio for more information and to apply!⁠⁠ ⁠⁠ -⁠-⁠⁠ ⁠⁠ Images:⁠⁠ 1) “Mixed Signal Flag” (2018) by Lenka Clayton & Phillip Andrew Lewis. ⁠⁠ 2) “OurGoods.org Asset Mapping Card (2008). Designed by Louise Ma and Rich Watts with Caroline Woolard, Jen Abrams, and Carl Tashian for the barter network.

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Haystack is thrilled to announce that the next monograph in our series has been published. “On the Craft of My Loneliness” was written by Richard Blanco (@poetrichardblanco) and is presented as a Chapbook, including a beautifully embossed dust jacket created by David Wolfe of Wolfe Editions (@wolfeprints). Blanco’s work is a mesmerizing piece, written in 2020 and from the perspective of the Haystack campus, which was unoccupied and quieted as a result of the global Coronavirus pandemic and the cancellation of all programming.⁠⁠ ⁠⁠ Selected by President Barack Obama as the fifth Presidential Inaugural Poet in U.S. history, Richard Blanco was the first Latinx, immigrant, and gay person to serve in this role. Born in Madrid to Cuban-exile parents and raised in Miami, cultural identity characterizes his many collections of renowned poetry. The recipient of numerous honorary doctorates, he is a Woodrow Wilson Fellow and Associate Professor at Florida International University. He serves as Education Ambassador for the Academy of American Poets. In 2015, Blanco was a visiting writer at Haystack.⁠⁠ ⁠⁠ The Haystack Monograph Series was initiated in 1991—providing a forum for writers, visiting artists, and conference and symposium presenters, from various disciplines, to reflect on the ideas of craft, community, and making. Monographs cover a range of topics and are distributed to art schools and libraries throughout the U.S.⁠⁠ ⁠⁠ “On the Craft of My Loneliness” is #36 in the series and will be available for sale on the Haystack website in early June. Keep an eye out for more details and a launch date.⁠⁠ ⁠⁠ #haystackmountainschoolofcrafts #haystackschool #richardblanco #poetry #nationalpoetrymonth #wolfeprints #letterpress #deerisle #downeast #maine
Haystack is thrilled to announce that the next monograph in our series has been published. “On the Craft of My Loneliness” was written by Richard Blanco (@poetrichardblanco) and is presented as a Chapbook, including a beautifully embossed dust jacket created by David Wolfe of Wolfe Editions (@wolfeprints). Blanco’s work is a mesmerizing piece, written in 2020 and from the perspective of the Haystack campus, which was unoccupied and quieted as a result of the global Coronavirus pandemic and the cancellation of all programming.⁠⁠ ⁠⁠ Selected by President Barack Obama as the fifth Presidential Inaugural Poet in U.S. history, Richard Blanco was the first Latinx, immigrant, and gay person to serve in this role. Born in Madrid to Cuban-exile parents and raised in Miami, cultural identity characterizes his many collections of renowned poetry. The recipient of numerous honorary doctorates, he is a Woodrow Wilson Fellow and Associate Professor at Florida International University. He serves as Education Ambassador for the Academy of American Poets. In 2015, Blanco was a visiting writer at Haystack.⁠⁠ ⁠⁠ The Haystack Monograph Series was initiated in 1991—providing a forum for writers, visiting artists, and conference and symposium presenters, from various disciplines, to reflect on the ideas of craft, community, and making. Monographs cover a range of topics and are distributed to art schools and libraries throughout the U.S.⁠⁠ ⁠⁠ “On the Craft of My Loneliness” is #36 in the series and will be available for sale on the Haystack website in early June. Keep an eye out for more details and a launch date.⁠⁠ ⁠⁠ #haystackmountainschoolofcrafts #haystackschool #richardblanco #poetry #nationalpoetrymonth #wolfeprints #letterpress #deerisle #downeast #maine
Haystack is thrilled to announce that the next monograph in our series has been published. “On the Craft of My Loneliness” was written by Richard Blanco (@poetrichardblanco) and is presented as a Chapbook, including a beautifully embossed dust jacket created by David Wolfe of Wolfe Editions (@wolfeprints). Blanco’s work is a mesmerizing piece, written in 2020 and from the perspective of the Haystack campus, which was unoccupied and quieted as a result of the global Coronavirus pandemic and the cancellation of all programming.⁠⁠ ⁠⁠ Selected by President Barack Obama as the fifth Presidential Inaugural Poet in U.S. history, Richard Blanco was the first Latinx, immigrant, and gay person to serve in this role. Born in Madrid to Cuban-exile parents and raised in Miami, cultural identity characterizes his many collections of renowned poetry. The recipient of numerous honorary doctorates, he is a Woodrow Wilson Fellow and Associate Professor at Florida International University. He serves as Education Ambassador for the Academy of American Poets. In 2015, Blanco was a visiting writer at Haystack.⁠⁠ ⁠⁠ The Haystack Monograph Series was initiated in 1991—providing a forum for writers, visiting artists, and conference and symposium presenters, from various disciplines, to reflect on the ideas of craft, community, and making. Monographs cover a range of topics and are distributed to art schools and libraries throughout the U.S.⁠⁠ ⁠⁠ “On the Craft of My Loneliness” is #36 in the series and will be available for sale on the Haystack website in early June. Keep an eye out for more details and a launch date.⁠⁠ ⁠⁠ #haystackmountainschoolofcrafts #haystackschool #richardblanco #poetry #nationalpoetrymonth #wolfeprints #letterpress #deerisle #downeast #maine

Haystack is thrilled to announce that the next monograph in our s Read More

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Up next in our online Mentorship & Collaboration workshops is Living in the Question, with Lauren Fensterstock (@laurenfensterstock)!⁠ ⁠ “A vital studio practice requires moments of focus as well as periods of engaged uncertainty. In this workshop we will turn inward to examine our private intentions and outward to chase the larger context that encircles our work and thinking. Using a series of thematic questions, we will dig into the meaning of our own work and identify inspirational companionship in other artists, texts, and sources. This is designed for artists with a dedicated practice who want to strengthen their personal voice, find new meaning in their objects, identify a cohort of research sources, and develop new questions to prod their work forward. ⁠ ⁠ We will be less focused on making finished objects and more geared toward complicating our thinking through a collegial environment to share ideas for feedback and engage in peer conversation. Participants will leave with a variety of writing, maps, sketches, plans, research prompts, an artist statement, and the burning questions to fuel future making.”⁠ ⁠ Dates: May 30, June 13, June 27, July 11, July 25, and August 8 from 7:30-8:30pm EST.⁠ ⁠ Space in this workshop is limited and available only by application. Application review begins on Monday, May 10; notifications will be made the week of May 17. ⁠ ⁠ Follow the link in our bio for more information about this workshop and to apply!⁠ ⁠ --⁠ ⁠ Image: “The Order of Things” by Lauren Fensterstock (2016), shells and mixed media ⁠ ⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #online #onlineprogram #onlineworkshop #haystackonline2021 #deerisle #downeast #maine

Up next in our online Mentorship & Collaboration workshops is Liv Read More

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Have you checked out our Mentorship & Collaboration workshops? Designed for individuals with emerging and established studio practices, these durational and interactive online workshops focus on developing ideas, discussing artwork, and imagining new models for how artists create community. Watch our feed as we explore all the workshops in the coming days!⁠ ⁠ Designing with SIOSI⁠ ⁠ “Are you interested in furniture design? Even before you step in the shop, there’s so much to consider: form, function, the properties of different wood species, how to take inspiration from others while keeping the design your own. And there’s the logistical challenge of getting that design off the page, out of your brain, and into the world. This workshop will guide you through the design process of developing ideas and drawing furniture from pencil to paper. This exploratory process is intended to focus on refining your individual design, inspiration from all angles, building (and designing) within your skill set, and accessing what you’ll need in the future to make your piece come to fruition. We will also discuss material sourcing, shop safety, workflow and strategies for developing a meaningful practice. This will be streamed from the SIOSI studio, so expect plenty of demos, tours of our new space, and of course...cute dogs.”⁠ ⁠ Dates: June 8, June 22, July 6, July 20, August 3, and August 17 from 7:30-8:30pm EST.⁠ ⁠ Application review begins on Monday, May 10; notifications will be made the week of May 17. ⁠ ⁠ Follow the link in our bio for more information about this workshop and to apply!⁠ ⁠ Image: Audi Culver + Ivy Siosi (SIOSI Design)⁠ ⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #online #onlineprogram #onlineworkshop #haystackonline2021 #deerisle #downeast #maine

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Up next in our 2021 online programs! Join us next Thursday, April 29 at 7:30pm EST for “Weaving: Four Perspectives” a conversation amongst Los Angeles-based artists Sarah Rosalena Brady (@sarah_rosalena), Kenturah Davis (@kenturah), Christina Forrer, and Christy Matson (@christy_matson)—this webinar will discuss the various ways these artists use weaving in their art practices. We look forward to hearing from you as well and the evening will conclude with a conversation and questions from the audience.⁠⁠ ⁠⁠ Haystack’s 2021 online programs are being presented as free and open to the public.⁠ ⁠⁠ ⁠⁠ Follow the link in our bio to register.⁠⁠ ⁠⁠ --⁠⁠ ⁠⁠ Images:⁠⁠ 1) Above Below by Sarah Rosalena Brady (2020). AI-generated textile, training set: Mars Reconnaissance Orbiter, HiRISE ice images, 80” x 60”.⁠⁠ 2) Texere II by Kenturah Davis (2020). Shifu weaving (kozo paper thread weaving, with inked text), in artist frame, 10” x 8” Framed: 11 .25” x 9.25” x 1.5”.⁠⁠ 3) Mitigated Dualism by Christina Forrer, (2017). Watercolor, cotton, wool and silk 34 3/4” x 30 1/2”. Photo by Joshua White.⁠⁠ 4) Double Bow Knot Variation by Christy Matson (2019). Acrylic and spray-paint on paper, linen, naturally and commercially dyed cotton, alpaca, 29” x 24”.⁠⁠ ⁠⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #online #onlineprogram #webinar #freewebinar #onlineworkshop #haystackonline2021 #deerisle #downeast #maine
Up next in our 2021 online programs! Join us next Thursday, April 29 at 7:30pm EST for “Weaving: Four Perspectives” a conversation amongst Los Angeles-based artists Sarah Rosalena Brady (@sarah_rosalena), Kenturah Davis (@kenturah), Christina Forrer, and Christy Matson (@christy_matson)—this webinar will discuss the various ways these artists use weaving in their art practices. We look forward to hearing from you as well and the evening will conclude with a conversation and questions from the audience.⁠⁠ ⁠⁠ Haystack’s 2021 online programs are being presented as free and open to the public.⁠ ⁠⁠ ⁠⁠ Follow the link in our bio to register.⁠⁠ ⁠⁠ --⁠⁠ ⁠⁠ Images:⁠⁠ 1) Above Below by Sarah Rosalena Brady (2020). AI-generated textile, training set: Mars Reconnaissance Orbiter, HiRISE ice images, 80” x 60”.⁠⁠ 2) Texere II by Kenturah Davis (2020). Shifu weaving (kozo paper thread weaving, with inked text), in artist frame, 10” x 8” Framed: 11 .25” x 9.25” x 1.5”.⁠⁠ 3) Mitigated Dualism by Christina Forrer, (2017). Watercolor, cotton, wool and silk 34 3/4” x 30 1/2”. Photo by Joshua White.⁠⁠ 4) Double Bow Knot Variation by Christy Matson (2019). Acrylic and spray-paint on paper, linen, naturally and commercially dyed cotton, alpaca, 29” x 24”.⁠⁠ ⁠⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #online #onlineprogram #webinar #freewebinar #onlineworkshop #haystackonline2021 #deerisle #downeast #maine
Up next in our 2021 online programs! Join us next Thursday, April 29 at 7:30pm EST for “Weaving: Four Perspectives” a conversation amongst Los Angeles-based artists Sarah Rosalena Brady (@sarah_rosalena), Kenturah Davis (@kenturah), Christina Forrer, and Christy Matson (@christy_matson)—this webinar will discuss the various ways these artists use weaving in their art practices. We look forward to hearing from you as well and the evening will conclude with a conversation and questions from the audience.⁠⁠ ⁠⁠ Haystack’s 2021 online programs are being presented as free and open to the public.⁠ ⁠⁠ ⁠⁠ Follow the link in our bio to register.⁠⁠ ⁠⁠ --⁠⁠ ⁠⁠ Images:⁠⁠ 1) Above Below by Sarah Rosalena Brady (2020). AI-generated textile, training set: Mars Reconnaissance Orbiter, HiRISE ice images, 80” x 60”.⁠⁠ 2) Texere II by Kenturah Davis (2020). Shifu weaving (kozo paper thread weaving, with inked text), in artist frame, 10” x 8” Framed: 11 .25” x 9.25” x 1.5”.⁠⁠ 3) Mitigated Dualism by Christina Forrer, (2017). Watercolor, cotton, wool and silk 34 3/4” x 30 1/2”. Photo by Joshua White.⁠⁠ 4) Double Bow Knot Variation by Christy Matson (2019). Acrylic and spray-paint on paper, linen, naturally and commercially dyed cotton, alpaca, 29” x 24”.⁠⁠ ⁠⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #online #onlineprogram #webinar #freewebinar #onlineworkshop #haystackonline2021 #deerisle #downeast #maine
Up next in our 2021 online programs! Join us next Thursday, April 29 at 7:30pm EST for “Weaving: Four Perspectives” a conversation amongst Los Angeles-based artists Sarah Rosalena Brady (@sarah_rosalena), Kenturah Davis (@kenturah), Christina Forrer, and Christy Matson (@christy_matson)—this webinar will discuss the various ways these artists use weaving in their art practices. We look forward to hearing from you as well and the evening will conclude with a conversation and questions from the audience.⁠⁠ ⁠⁠ Haystack’s 2021 online programs are being presented as free and open to the public.⁠ ⁠⁠ ⁠⁠ Follow the link in our bio to register.⁠⁠ ⁠⁠ --⁠⁠ ⁠⁠ Images:⁠⁠ 1) Above Below by Sarah Rosalena Brady (2020). AI-generated textile, training set: Mars Reconnaissance Orbiter, HiRISE ice images, 80” x 60”.⁠⁠ 2) Texere II by Kenturah Davis (2020). Shifu weaving (kozo paper thread weaving, with inked text), in artist frame, 10” x 8” Framed: 11 .25” x 9.25” x 1.5”.⁠⁠ 3) Mitigated Dualism by Christina Forrer, (2017). Watercolor, cotton, wool and silk 34 3/4” x 30 1/2”. Photo by Joshua White.⁠⁠ 4) Double Bow Knot Variation by Christy Matson (2019). Acrylic and spray-paint on paper, linen, naturally and commercially dyed cotton, alpaca, 29” x 24”.⁠⁠ ⁠⁠ #haystackmountainschoolofcrafts #craftschoolexperience #haystackschool #community #stayconnected #online #onlineprogram #webinar #freewebinar #onlineworkshop #haystackonline2021 #deerisle #downeast #maine

Up next in our 2021 online programs! Join us next Thursday, April Read More

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