The Metropolitan Museum of Art

The Metropolitan Museum of Art

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The Metropolitan Museum of Art

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The Metropolitan Museum of Art is one of the top influencer with 3886703 audience and 0.46% engagement rate on Instagram. Check out the full profile and start to collaborate.
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A very #MetSketch Sunday up on the roof with Big Bird, courtesy of @jeanneverdoux. ? ? ❤️ ⁣ ⁣ Share your blue Big Bird sketches with us! ✍️ You can visit

A very #MetSketch Sunday up on the roof with Big Bird, courtesy o Read More

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"Whatever it is that lives on this stage must be in service to th Read More

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A print of printmaking? A print of printmaking!⁣ ⁣ During the Edo period, #artisans were one of the four social classes—alongside warriors, farmers, and merchants. ⁣⁣⁣ ⁣⁣⁣ In this 19th-century triptych, Utagawa Kunisada shows artisans as fashionably dressed townswomen instead of men, who are more typical of the social category—inviting viewers, past and present, to reflect on gender stereotypes.⁣ ⁣ The seven women are illustrated inside a woodblock printer's studio engrossed in various stages of printmaking. Can you spot all of these processes? ⁣ ⁣⁣⁣ See this work, alongside 34 other rare ukiyo-e prints from the Lee E. Dirks Collection, through May 31 in
A print of printmaking? A print of printmaking!⁣ ⁣ During the Edo period, #artisans were one of the four social classes—alongside warriors, farmers, and merchants. ⁣⁣⁣ ⁣⁣⁣ In this 19th-century triptych, Utagawa Kunisada shows artisans as fashionably dressed townswomen instead of men, who are more typical of the social category—inviting viewers, past and present, to reflect on gender stereotypes.⁣ ⁣ The seven women are illustrated inside a woodblock printer's studio engrossed in various stages of printmaking. Can you spot all of these processes? ⁣ ⁣⁣⁣ See this work, alongside 34 other rare ukiyo-e prints from the Lee E. Dirks Collection, through May 31 in
A print of printmaking? A print of printmaking!⁣ ⁣ During the Edo period, #artisans were one of the four social classes—alongside warriors, farmers, and merchants. ⁣⁣⁣ ⁣⁣⁣ In this 19th-century triptych, Utagawa Kunisada shows artisans as fashionably dressed townswomen instead of men, who are more typical of the social category—inviting viewers, past and present, to reflect on gender stereotypes.⁣ ⁣ The seven women are illustrated inside a woodblock printer's studio engrossed in various stages of printmaking. Can you spot all of these processes? ⁣ ⁣⁣⁣ See this work, alongside 34 other rare ukiyo-e prints from the Lee E. Dirks Collection, through May 31 in

A print of printmaking? A print of printmaking!⁣ ⁣ During the Read More

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This summer, Techno meets the Middle Ages—get ready for Sonic Cloisters ? ⁣⁣⁣ ⁣⁣⁣ Tune in for our new series of virtual concerts filmed at the @metcloisters featuring renowned and emerging electronic-music artists. ⁣⁣⁣ ⁣⁣⁣ This #MetLiveArts concert series—created in collaboration with Shawn Schwartz, founder of the famed Brooklyn electronic music venues Halcyon and Output—explores unexpected parallels between Techno and the art of the Middle Ages. ⁣⁣ ⁣⁣ Much like the medieval art that surrounds each performance, modern Techno expresses present-day anguish, expectation, and celebration, responding to inequity, suffering, and uncertainty with bright innovation and imagination.⁣⁣⁣ ⁣ See the #SonicCloisters schedule below and tap the link in bio to learn more. ⁣ ⁣ ⁣⁣⁣June 3: Lost Souls of Saturn (Seth Troxler and Phil Moffa) (@lostsoulsofsaturn) ⁣ July 8: Jlin (@jlin_p)⁣⁣⁣⁣ ⁣ August 5: Dubfire (@dubfire)⁣ ⁣ ? Stephanie Berger

This summer, Techno meets the Middle Ages—get ready for Sonic C Read More

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A blooming bouquet from us to you, courtesy of our #wcw Anne Vallayer-Coster. ??? The French artist joined the Académie Royale in 1770 and went on to exhibit at the Salon for more than 45 years. Throughout her extensive career she enjoyed favorable critical opinion as well as the patronage of Queen Marie Antoinette and Empress Josephine. This painting was probably among the four still lifes and two portraits that Vallayer-Coster showed at the Salon of 1781. ? Anne Vallayer-Coster (French, 1744–1818). Vase of Flowers and Conch Shell, 1780. On view in Gallery 616. @meteuropeanpaintings #NewLookOldMasters
A blooming bouquet from us to you, courtesy of our #wcw Anne Vallayer-Coster. ??? The French artist joined the Académie Royale in 1770 and went on to exhibit at the Salon for more than 45 years. Throughout her extensive career she enjoyed favorable critical opinion as well as the patronage of Queen Marie Antoinette and Empress Josephine. This painting was probably among the four still lifes and two portraits that Vallayer-Coster showed at the Salon of 1781. ? Anne Vallayer-Coster (French, 1744–1818). Vase of Flowers and Conch Shell, 1780. On view in Gallery 616. @meteuropeanpaintings #NewLookOldMasters

A blooming bouquet from us to you, courtesy of our #wcw Anne Vall Read More

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"Patient hands making tiny stitches all in a row. Wise hands hol Read More

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“I just look around and see what’s not being shown or made within our culture and I make it.” — Derrick Adams In
“I just look around and see what’s not being shown or made within our culture and I make it.” — Derrick Adams In
“I just look around and see what’s not being shown or made within our culture and I make it.” — Derrick Adams In
“I just look around and see what’s not being shown or made within our culture and I make it.” — Derrick Adams In
“I just look around and see what’s not being shown or made within our culture and I make it.” — Derrick Adams In

“I just look around and see what’s not being shown or made wi Read More

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A quiet moment with the late Wifredo Lam's

A quiet moment with the late Wifredo Lam's "Rumblings of the Eart Read More

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This year marks the 10th anniversary of

This year marks the 10th anniversary of "Alexander McQueen: Savag Read More

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