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Night Gallery

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Congratulations to Han Bing on the opening of her exhibition “Company” at Galerie Marguo in Paris
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As Galerie Marguo explains, “Comprising seven large scale canvases and five smaller paintings on wood and newsprint, this series continues the artist’s exploration of painting as a means of processing the urban environment and her experiences within them. [...] Rendered in the mutable medium of oil paint through an array of applications ranging from drawing, squeegeeing, and rubbing, these works confront the viewer with compounded planes that dance between light and dark, flatness and depth, opacity and transparency, representation and abstraction.”
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Above: “Steed,” 2020
#hanbing #galeriemarguo #nightgallery @bingggbong @galeriemarguo

Congratulations to Han Bing on the opening of her exhibition “Company” at Galerie Marguo in Paris
?
As Galerie Marguo explains, “Comprising seven large scale canvases and five smaller paintings on wood and newsprint, this series continues the artist’s exploration of painting as a means of processing the urban environment and her experiences within them. [...] Rendered in the mutable medium of oil paint through an array of applications ranging from drawing, squeegeeing, and rubbing, these works confront the viewer with compounded planes that dance between light and dark, flatness and depth, opacity and transparency, representation and abstraction.”
?
Above: “Steed,” 2020
#hanbing #galeriemarguo #nightgallery @bingggbong @galeriemarguo

Congratulations to Han Bing on the opening of her exhibition “Company” at Galerie Marguo in Paris
?
As Galerie Marguo explains, “Comprising seven large scale canvases and five smaller paintings on wood and newsprint, this series continues the artist’s exploration of painting as a means of processing the urban environment and her experiences within them. [...] Rendered in the mutable medium of oil paint through an array of applications ranging from drawing, squeegeeing, and rubbing, these works confront the viewer with compounded planes that dance between light and dark, flatness and depth, opacity and transparency, representation and abstraction.”
?
Above: “Steed,” 2020
#hanbing #galeriemarguo #nightgallery @bingggbong @galeriemarguo

Congratulations to Han Bing on the opening of her exhibition “Company” at Galerie Marguo in Paris
?
As Galerie Marguo explains, “Comprising seven large scale canvases and five smaller paintings on wood and newsprint, this series continues the artist’s exploration of painting as a means of processing the urban environment and her experiences within them. [...] Rendered in the mutable medium of oil paint through an array of applications ranging from drawing, squeegeeing, and rubbing, these works confront the viewer with compounded planes that dance between light and dark, flatness and depth, opacity and transparency, representation and abstraction.”
?
Above: “Steed,” 2020
#hanbing #galeriemarguo #nightgallery @bingggbong @galeriemarguo

Congratulations to Han Bing on the opening of her exhibition “Company” at Galerie Marguo in Paris
?
As Galerie Marguo explains, “Comprising seven large scale canvases and five smaller paintings on wood and newsprint, this series continues the artist’s exploration of painting as a means of processing the urban environment and her experiences within them. [...] Rendered in the mutable medium of oil paint through an array of applications ranging from drawing, squeegeeing, and rubbing, these works confront the viewer with compounded planes that dance between light and dark, flatness and depth, opacity and transparency, representation and abstraction.”
?
Above: “Steed,” 2020
#hanbing #galeriemarguo #nightgallery @bingggbong @galeriemarguo

Congratulations to Han Bing on the opening of her exhibition “C Read More

Night Gallery is excited to present “Market,” an exhibition of new work by Anthony Olubunmi Akinbola opening this Saturday, May 15th, 2021. This will be the artist’s first presentation at the gallery.
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Anthony Olubunmi Akinbola’s work responds to and updates the legacy of the readymade, placing the sculptural mode of inquiry in dialogue with traditions of abstract painting. Formal exchanges within and between his artworks push his materials away from their typical cultural and historical evocations, emphasizing plays of color and texture while highlighting unexpected thematic associations. Akinbola’s exhibition “Market” features a continuation of the series of durag paintings for which he is known alongside an array of readymades invigorated by simple but radical acts of alteration. These include found sculptures like the one pictured above, which have been glazed in vibrant hues of pearlescent enamel, giving their carved wooden features the appearance of 21st-century products.
Above: “Power Figure #006,” 2021, 13” x 9 1/2” x 11”
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#anthonyolubunmiakinbola #nightgallery @heyitsbunmi

Night Gallery is excited to present “Market,” an exhibition of new work by Anthony Olubunmi Akinbola opening this Saturday, May 15th, 2021. This will be the artist’s first presentation at the gallery.
?
Anthony Olubunmi Akinbola’s work responds to and updates the legacy of the readymade, placing the sculptural mode of inquiry in dialogue with traditions of abstract painting. Formal exchanges within and between his artworks push his materials away from their typical cultural and historical evocations, emphasizing plays of color and texture while highlighting unexpected thematic associations. Akinbola’s exhibition “Market” features a continuation of the series of durag paintings for which he is known alongside an array of readymades invigorated by simple but radical acts of alteration. These include found sculptures like the one pictured above, which have been glazed in vibrant hues of pearlescent enamel, giving their carved wooden features the appearance of 21st-century products.
Above: “Power Figure #006,” 2021, 13” x 9 1/2” x 11”
?
#anthonyolubunmiakinbola #nightgallery @heyitsbunmi

Night Gallery is excited to present “Market,” an exhibition of new work by Anthony Olubunmi Akinbola opening this Saturday, May 15th, 2021. This will be the artist’s first presentation at the gallery.
?
Anthony Olubunmi Akinbola’s work responds to and updates the legacy of the readymade, placing the sculptural mode of inquiry in dialogue with traditions of abstract painting. Formal exchanges within and between his artworks push his materials away from their typical cultural and historical evocations, emphasizing plays of color and texture while highlighting unexpected thematic associations. Akinbola’s exhibition “Market” features a continuation of the series of durag paintings for which he is known alongside an array of readymades invigorated by simple but radical acts of alteration. These include found sculptures like the one pictured above, which have been glazed in vibrant hues of pearlescent enamel, giving their carved wooden features the appearance of 21st-century products.
Above: “Power Figure #006,” 2021, 13” x 9 1/2” x 11”
?
#anthonyolubunmiakinbola #nightgallery @heyitsbunmi

Night Gallery is excited to present “Market,” an exhibition o Read More

Work by Jeanette Mundt is included in “Delusionarium 5 (Adaptation),” a group exhibition curated by Jesse Benson and Becky Koblick opening across two Los Angeles exhibition spaces, Night Gallery and as-is.la, this Saturday, May 15th
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D5 is part of a nomadic group exhibition series initiated by Benson in 2004. Iterations in the series evolve organically and contrasting elements are embraced, allowing contributors to include essentially anything they want to. A vaguely established thread connects and supports all moments within the series, without a harnessing effect. The nomadic nature of the series allows for new contexts and illuminates the specificity of each site and situation without asking artists to work in situ.
✴️
Above: Jeanette Mundt, “I'd Like to Hold Her Head Under Water (Sit on Me),” 2020, 49” x 36”
#jeanettemundt #delusionarium5 #nightgallery @no_hidden_fees @beckykoblick @ddelusionariumm

Work by Jeanette Mundt is included in “Delusionarium 5 (Adaptation),” a group exhibition curated by Jesse Benson and Becky Koblick opening across two Los Angeles exhibition spaces, Night Gallery and as-is.la, this Saturday, May 15th
???
D5 is part of a nomadic group exhibition series initiated by Benson in 2004. Iterations in the series evolve organically and contrasting elements are embraced, allowing contributors to include essentially anything they want to. A vaguely established thread connects and supports all moments within the series, without a harnessing effect. The nomadic nature of the series allows for new contexts and illuminates the specificity of each site and situation without asking artists to work in situ.
✴️
Above: Jeanette Mundt, “I'd Like to Hold Her Head Under Water (Sit on Me),” 2020, 49” x 36”
#jeanettemundt #delusionarium5 #nightgallery @no_hidden_fees @beckykoblick @ddelusionariumm

Work by Jeanette Mundt is included in “Delusionarium 5 (Adaptation),” a group exhibition curated by Jesse Benson and Becky Koblick opening across two Los Angeles exhibition spaces, Night Gallery and as-is.la, this Saturday, May 15th
???
D5 is part of a nomadic group exhibition series initiated by Benson in 2004. Iterations in the series evolve organically and contrasting elements are embraced, allowing contributors to include essentially anything they want to. A vaguely established thread connects and supports all moments within the series, without a harnessing effect. The nomadic nature of the series allows for new contexts and illuminates the specificity of each site and situation without asking artists to work in situ.
✴️
Above: Jeanette Mundt, “I'd Like to Hold Her Head Under Water (Sit on Me),” 2020, 49” x 36”
#jeanettemundt #delusionarium5 #nightgallery @no_hidden_fees @beckykoblick @ddelusionariumm

Work by Jeanette Mundt is included in “Delusionarium 5 (Adaptation),” a group exhibition curated by Jesse Benson and Becky Koblick opening across two Los Angeles exhibition spaces, Night Gallery and as-is.la, this Saturday, May 15th
???
D5 is part of a nomadic group exhibition series initiated by Benson in 2004. Iterations in the series evolve organically and contrasting elements are embraced, allowing contributors to include essentially anything they want to. A vaguely established thread connects and supports all moments within the series, without a harnessing effect. The nomadic nature of the series allows for new contexts and illuminates the specificity of each site and situation without asking artists to work in situ.
✴️
Above: Jeanette Mundt, “I'd Like to Hold Her Head Under Water (Sit on Me),” 2020, 49” x 36”
#jeanettemundt #delusionarium5 #nightgallery @no_hidden_fees @beckykoblick @ddelusionariumm

Work by Jeanette Mundt is included in “Delusionarium 5 (Adaptation),” a group exhibition curated by Jesse Benson and Becky Koblick opening across two Los Angeles exhibition spaces, Night Gallery and as-is.la, this Saturday, May 15th
???
D5 is part of a nomadic group exhibition series initiated by Benson in 2004. Iterations in the series evolve organically and contrasting elements are embraced, allowing contributors to include essentially anything they want to. A vaguely established thread connects and supports all moments within the series, without a harnessing effect. The nomadic nature of the series allows for new contexts and illuminates the specificity of each site and situation without asking artists to work in situ.
✴️
Above: Jeanette Mundt, “I'd Like to Hold Her Head Under Water (Sit on Me),” 2020, 49” x 36”
#jeanettemundt #delusionarium5 #nightgallery @no_hidden_fees @beckykoblick @ddelusionariumm

Work by Jeanette Mundt is included in “Delusionarium 5 (Adaptat Read More

Claire Tabouret, “The Wanderer (blue),” 2017, 98 1/2” x 67”, from “Eclipse,” her first exhibition at Night Gallery which opened in January 2017
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Night Gallery was thrilled to present Tabouret’s subsequent exhibition at the gallery, “The Pull of the Sun,” in February 2020. We are looking forward to presenting new work at the Armory Show in September 2021.
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#clairetabouret #nightgallery @clairetabouret

Claire Tabouret, “The Wanderer (blue),” 2017, 98 1/2” x 67”, from “Eclipse,” her first exhibition at Night Gallery which opened in January 2017
???
Night Gallery was thrilled to present Tabouret’s subsequent exhibition at the gallery, “The Pull of the Sun,” in February 2020. We are looking forward to presenting new work at the Armory Show in September 2021.
?
#clairetabouret #nightgallery @clairetabouret

Claire Tabouret, “The Wanderer (blue),” 2017, 98 1/2” x 67”, from “Eclipse,” her first exhibition at Night Gallery which opened in January 2017
???
Night Gallery was thrilled to present Tabouret’s subsequent exhibition at the gallery, “The Pull of the Sun,” in February 2020. We are looking forward to presenting new work at the Armory Show in September 2021.
?
#clairetabouret #nightgallery @clairetabouret

Claire Tabouret, “The Wanderer (blue),” 2017, 98 1/2” x 67”, from “Eclipse,” her first exhibition at Night Gallery which opened in January 2017
???
Night Gallery was thrilled to present Tabouret’s subsequent exhibition at the gallery, “The Pull of the Sun,” in February 2020. We are looking forward to presenting new work at the Armory Show in September 2021.
?
#clairetabouret #nightgallery @clairetabouret

Claire Tabouret, “The Wanderer (blue),” 2017, 98 1/2” x 67”, from “Eclipse,” her first exhibition at Night Gallery which opened in January 2017
???
Night Gallery was thrilled to present Tabouret’s subsequent exhibition at the gallery, “The Pull of the Sun,” in February 2020. We are looking forward to presenting new work at the Armory Show in September 2021.
?
#clairetabouret #nightgallery @clairetabouret

Claire Tabouret, “The Wanderer (blue),” 2017, 98 1/2” x 67� Read More

Kandis Williams’ work is included in the Made in LA Biennial, now on view at the Hammer Museum and Huntington Libraries
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Williams’ work is also included in two group exhibitions in Los Angeles: “Make-Shift-Future” at Regen Projects and “Shattered Glass” at Jeffrey Deitch Los Angeles. Night Gallery is excited to present Williams’ second solo exhibition at the gallery in June 2021.
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Above: “Cave before Cocytus,” 2018, 24” x 24”
#kandiswilliams #nightgallery @kandis_williams

Kandis Williams’ work is included in the Made in LA Biennial, now on view at the Hammer Museum and Huntington Libraries
?
Williams’ work is also included in two group exhibitions in Los Angeles: “Make-Shift-Future” at Regen Projects and “Shattered Glass” at Jeffrey Deitch Los Angeles. Night Gallery is excited to present Williams’ second solo exhibition at the gallery in June 2021.
✨
Above: “Cave before Cocytus,” 2018, 24” x 24”
#kandiswilliams #nightgallery @kandis_williams

Kandis Williams’ work is included in the Made in LA Biennial, now on view at the Hammer Museum and Huntington Libraries
?
Williams’ work is also included in two group exhibitions in Los Angeles: “Make-Shift-Future” at Regen Projects and “Shattered Glass” at Jeffrey Deitch Los Angeles. Night Gallery is excited to present Williams’ second solo exhibition at the gallery in June 2021.
✨
Above: “Cave before Cocytus,” 2018, 24” x 24”
#kandiswilliams #nightgallery @kandis_williams

Kandis Williams’ work is included in the Made in LA Biennial, now on view at the Hammer Museum and Huntington Libraries
?
Williams’ work is also included in two group exhibitions in Los Angeles: “Make-Shift-Future” at Regen Projects and “Shattered Glass” at Jeffrey Deitch Los Angeles. Night Gallery is excited to present Williams’ second solo exhibition at the gallery in June 2021.
✨
Above: “Cave before Cocytus,” 2018, 24” x 24”
#kandiswilliams #nightgallery @kandis_williams

Kandis Williams’ work is included in the Made in LA Biennial, n Read More

Incredible new work by Brie Ruais for her forthcoming exhibition “Movement at the Edge of the Land” at the Moody Center for the Arts at Rice University, opening June 5th, 2021 ∞ Night Gallery was thrilled to present Ruais’ exhibition “Spiraling Open and Closed Like an Aperture” in Fall 2020.
✨??✨
Above: “Uncontrollable Drifting Inward and Outward Together (130lbs times two),” 2021, 90” x 268 1/2” x 2 1/2”
#brieruais #moodycenterforthearts #nightgallery @brie_ruais @themoodyarts

Incredible new work by Brie Ruais for her forthcoming exhibition “Movement at the Edge of the Land” at the Moody Center for the Arts at Rice University, opening June 5th, 2021 ∞ Night Gallery was thrilled to present Ruais’ exhibition “Spiraling Open and Closed Like an Aperture” in Fall 2020.
✨??✨
Above: “Uncontrollable Drifting Inward and Outward Together (130lbs times two),” 2021, 90” x 268 1/2” x 2 1/2”
#brieruais #moodycenterforthearts #nightgallery @brie_ruais @themoodyarts

Incredible new work by Brie Ruais for her forthcoming exhibition “Movement at the Edge of the Land” at the Moody Center for the Arts at Rice University, opening June 5th, 2021 ∞ Night Gallery was thrilled to present Ruais’ exhibition “Spiraling Open and Closed Like an Aperture” in Fall 2020.
✨??✨
Above: “Uncontrollable Drifting Inward and Outward Together (130lbs times two),” 2021, 90” x 268 1/2” x 2 1/2”
#brieruais #moodycenterforthearts #nightgallery @brie_ruais @themoodyarts

Incredible new work by Brie Ruais for her forthcoming exhibition “Movement at the Edge of the Land” at the Moody Center for the Arts at Rice University, opening June 5th, 2021 ∞ Night Gallery was thrilled to present Ruais’ exhibition “Spiraling Open and Closed Like an Aperture” in Fall 2020.
✨??✨
Above: “Uncontrollable Drifting Inward and Outward Together (130lbs times two),” 2021, 90” x 268 1/2” x 2 1/2”
#brieruais #moodycenterforthearts #nightgallery @brie_ruais @themoodyarts

Incredible new work by Brie Ruais for her forthcoming exhibition “Movement at the Edge of the Land” at the Moody Center for the Arts at Rice University, opening June 5th, 2021 ∞ Night Gallery was thrilled to present Ruais’ exhibition “Spiraling Open and Closed Like an Aperture” in Fall 2020.
✨??✨
Above: “Uncontrollable Drifting Inward and Outward Together (130lbs times two),” 2021, 90” x 268 1/2” x 2 1/2”
#brieruais #moodycenterforthearts #nightgallery @brie_ruais @themoodyarts

Incredible new work by Brie Ruais for her forthcoming exhibition “Movement at the Edge of the Land” at the Moody Center for the Arts at Rice University, opening June 5th, 2021 ∞ Night Gallery was thrilled to present Ruais’ exhibition “Spiraling Open and Closed Like an Aperture” in Fall 2020.
✨??✨
Above: “Uncontrollable Drifting Inward and Outward Together (130lbs times two),” 2021, 90” x 268 1/2” x 2 1/2”
#brieruais #moodycenterforthearts #nightgallery @brie_ruais @themoodyarts

Incredible new work by Brie Ruais for her forthcoming exhibition “Movement at the Edge of the Land” at the Moody Center for the Arts at Rice University, opening June 5th, 2021 ∞ Night Gallery was thrilled to present Ruais’ exhibition “Spiraling Open and Closed Like an Aperture” in Fall 2020.
✨??✨
Above: “Uncontrollable Drifting Inward and Outward Together (130lbs times two),” 2021, 90” x 268 1/2” x 2 1/2”
#brieruais #moodycenterforthearts #nightgallery @brie_ruais @themoodyarts

Incredible new work by Brie Ruais for her forthcoming exhibition Read More

Wishing you a happy Sunday morning ? Above: Danielle Mckinney, “Haste,” 2021, 20” x 16”, currently on view in the Frieze Viewing Room alongside Anne Libby and Tahnee Lonsdale
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Night Gallery is excited to present Mckinney’s first solo exhibition in Los Angeles, opening May 22nd, 2021.
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#daniellemckinney #nightgallery @danielle_mckinney_

Wishing you a happy Sunday morning ? Above: Danielle Mckinney, “Haste,” 2021, 20” x 16”, currently on view in the Frieze Viewing Room alongside Anne Libby and Tahnee Lonsdale
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Night Gallery is excited to present Mckinney’s first solo exhibition in Los Angeles, opening May 22nd, 2021.
?
#daniellemckinney #nightgallery @danielle_mckinney_

Wishing you a happy Sunday morning ? Above: Danielle Mckinney, “Haste,” 2021, 20” x 16”, currently on view in the Frieze Viewing Room alongside Anne Libby and Tahnee Lonsdale
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Night Gallery is excited to present Mckinney’s first solo exhibition in Los Angeles, opening May 22nd, 2021.
?
#daniellemckinney #nightgallery @danielle_mckinney_

Wishing you a happy Sunday morning ? Above: Danielle Mckinney, � Read More

Kottie Paloma, “Purgatorio #2” 2020, 82 1/2” x 65 1/2”
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Paloma’s paintings work within the confines of a single color to create compositions that move in and out of representation, alternating between suggestions of space, objects, symbols, and pure abstraction. These disparate elements come together in tight, puzzle-like constructions that offer multiple entry points for the viewer, finding coherence out of an assemblage of contradictory parts. The artist builds these works up from abstract experiments, finding legible forms through a process of drawing and scraping away, maintaining the looseness of his hand. The works straddle the line between graphic and expressionistic, employing sparing methods to create vividly psychological compositions that suggest landscapes of the unconscious.
?
Night Gallery presented Paloma’s exhibition “Dante” in September 2020. The gallery is excited to present work by Paloma in the Art Brussels Online Viewing Room alongside Marcel Alcalá in June 2021.
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#kottiepaloma #nightgallery @kottiepaloma

Kottie Paloma, “Purgatorio #2” 2020, 82 1/2” x 65 1/2”
?
Paloma’s paintings work within the confines of a single color to create compositions that move in and out of representation, alternating between suggestions of space, objects, symbols, and pure abstraction. These disparate elements come together in tight, puzzle-like constructions that offer multiple entry points for the viewer, finding coherence out of an assemblage of contradictory parts. The artist builds these works up from abstract experiments, finding legible forms through a process of drawing and scraping away, maintaining the looseness of his hand. The works straddle the line between graphic and expressionistic, employing sparing methods to create vividly psychological compositions that suggest landscapes of the unconscious.
?
Night Gallery presented Paloma’s exhibition “Dante” in September 2020. The gallery is excited to present work by Paloma in the Art Brussels Online Viewing Room alongside Marcel Alcalá in June 2021.
?
#kottiepaloma #nightgallery @kottiepaloma

Kottie Paloma, “Purgatorio #2” 2020, 82 1/2” x 65 1/2” ? Read More

New work by Awol Erizku will be included in “DELUSIONARIUM 5 (ADAPTATION),” a group exhibition curated with Jesse Benson and Becky Koblick opening at Night Gallery next Saturday, May 15th, 2021 ? Night Gallery is delighted to present Erizku’s next exhibition at the gallery in September 2021. Erizku’s public photography exhibition “New Visions for Iris” is now on view at 350 JCDecaux bus shelters across New York City and Chicago courtesy of Public Art Fund.
?❤️?
Above: “The Definition (see no evil, hear no evil, speak no evil),” 2018-2020, 49 1/2” x 56”
#awolerizku #delusionarium5 #nightgallery @awolerizku @no_hidden_fees @beckykoblick

New work by Awol Erizku will be included in “DELUSIONARIUM 5 (ADAPTATION),” a group exhibition curated with Jesse Benson and Becky Koblick opening at Night Gallery next Saturday, May 15th, 2021 ? Night Gallery is delighted to present Erizku’s next exhibition at the gallery in September 2021. Erizku’s public photography exhibition “New Visions for Iris” is now on view at 350 JCDecaux bus shelters across New York City and Chicago courtesy of Public Art Fund.
?❤️?
Above: “The Definition (see no evil, hear no evil, speak no evil),” 2018-2020, 49 1/2” x 56”
#awolerizku #delusionarium5 #nightgallery @awolerizku @no_hidden_fees @beckykoblick

New work by Awol Erizku will be included in “DELUSIONARIUM 5 (ADAPTATION),” a group exhibition curated with Jesse Benson and Becky Koblick opening at Night Gallery next Saturday, May 15th, 2021 ? Night Gallery is delighted to present Erizku’s next exhibition at the gallery in September 2021. Erizku’s public photography exhibition “New Visions for Iris” is now on view at 350 JCDecaux bus shelters across New York City and Chicago courtesy of Public Art Fund.
?❤️?
Above: “The Definition (see no evil, hear no evil, speak no evil),” 2018-2020, 49 1/2” x 56”
#awolerizku #delusionarium5 #nightgallery @awolerizku @no_hidden_fees @beckykoblick

New work by Awol Erizku will be included in “DELUSIONARIUM 5 (ADAPTATION),” a group exhibition curated with Jesse Benson and Becky Koblick opening at Night Gallery next Saturday, May 15th, 2021 ? Night Gallery is delighted to present Erizku’s next exhibition at the gallery in September 2021. Erizku’s public photography exhibition “New Visions for Iris” is now on view at 350 JCDecaux bus shelters across New York City and Chicago courtesy of Public Art Fund.
?❤️?
Above: “The Definition (see no evil, hear no evil, speak no evil),” 2018-2020, 49 1/2” x 56”
#awolerizku #delusionarium5 #nightgallery @awolerizku @no_hidden_fees @beckykoblick

New work by Awol Erizku will be included in “DELUSIONARIUM 5 (ADAPTATION),” a group exhibition curated with Jesse Benson and Becky Koblick opening at Night Gallery next Saturday, May 15th, 2021 ? Night Gallery is delighted to present Erizku’s next exhibition at the gallery in September 2021. Erizku’s public photography exhibition “New Visions for Iris” is now on view at 350 JCDecaux bus shelters across New York City and Chicago courtesy of Public Art Fund.
?❤️?
Above: “The Definition (see no evil, hear no evil, speak no evil),” 2018-2020, 49 1/2” x 56”
#awolerizku #delusionarium5 #nightgallery @awolerizku @no_hidden_fees @beckykoblick

New work by Awol Erizku will be included in “DELUSIONARIUM 5 (ADAPTATION),” a group exhibition curated with Jesse Benson and Becky Koblick opening at Night Gallery next Saturday, May 15th, 2021 ? Night Gallery is delighted to present Erizku’s next exhibition at the gallery in September 2021. Erizku’s public photography exhibition “New Visions for Iris” is now on view at 350 JCDecaux bus shelters across New York City and Chicago courtesy of Public Art Fund.
?❤️?
Above: “The Definition (see no evil, hear no evil, speak no evil),” 2018-2020, 49 1/2” x 56”
#awolerizku #delusionarium5 #nightgallery @awolerizku @no_hidden_fees @beckykoblick

New work by Awol Erizku will be included in “DELUSIONARIUM 5 (A Read More

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